Bach Bibliography Search Result

Author : Walker, Paul
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	German Sacred Polyphonic Vocal Music between Schütz and Bach: Sources and Critical Editions. Warren, Michigan: Harmonie Park Press, 1992. xxxv, 434p. ISBN: 0-89990-054-2. (= Detroit Studies in Music Bibliography, 67)				1992	xxxv, 434p
	2.	Die Entstehung der Permutationsfuge.	BachJb	75		1989	21-41
	3.	American Bach Society Biennial Conference 7-10 April 2016 University of Notre Dame.	BachNotesABS		23	Fall 2015	6
	4.	Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue.	BachPerspectives	4		1999	159-179
	5.	Rhetoric, the ricercar, and J. S. Bach's Musical Offering.	BachStud	2		1995	175-191
	6.	Sacred Works for Five Voices and Instruments, Part 3 / Dieterich Buxtehude. New York: The Broude Trust, 2018. ISBN: 0-8540-7512-8. (= Dieterich Buxtehude: The Collected Works, Vol. 12)	BuxtehudeCW	12		2018
	7.	Miscellanea: Sacred Works for Five and/or Six Voices and Instruments, Occasional Works, Canons, Dubia / Dieterich Buxtehude. New York: The Broude Trust, 2018. ISBN: 0-8540-7513-6. (= Dieterich Buxtehude: The Collected Works, Vol. 13)	BuxtehudeCW	13		2018
	8.	Church, Stage, and Studio: Music and Its Contexts in Seventeenth-Century Germany. Ann Arbor: UMI Research Press, 1990. 396p. ISBN: 0-8357-1938-3.	[ce]ChurchStageStudio			1990	396p
	9.	Counterpoint, Canons and the Late Works. [Chapter 15] Part IV: Genres and Forms. [main headings: Bach's Compositions of His Last Years; Music Theory and Compositional Process; Bach and Fugue; Goldberg Variations; Bach and Canon; Musical Offering; Canonic Variations on Vom Himmel hoch; Art of Fugue]	[ce]RoutledgeResearchCompanion			2017	377-397
	10.	Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. Unpublished and expanded paper read at the Biennial Meeting of the American Bach Society, Leipzig, May 11-13, 2006: 'Bach Crossing Borders'.	[cr]Belfast2007	2		2007	368-386
	11.	Die Fuge in den Vokalwerken von Dieterich Buxtehude und Nicolaus Bruhns.	[cr]Lübeck2000			2002	256-271
	12.	Zur Geschichte des Kontrasubjekts und zu seinem Gebrauch in den frühesten Klavier- und Orgelfugen Johann Sebastian Bachs.	[cr]Rostock1990			1995	48-69
	13.	Fugue in German Theory from Dressler to Mattheson. PhD. State Univ. of New York at Buffalo. 1987. x, 664p.	diss.			1987	x, 664p
	14.	Fingering, Bach and the Wegweiser.	EarlyKStudNL	1	3	1985	1-5
	15.	Theories of Fugue from the Age of Josquin to the Age of Bach. Rochester Univ. Press, 2000. 485p. ISBN: 1-580-46029-1. (= Eastman Studies in Music, 13)	EastmanStudM	13		2000	485p
	16.	Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. A paper read at the Biennial Meeting of the American Bach Society, Leipzig, May 11-13, 2006: 'Bach Crossing Borders'. Abstract published in BachNotesABS, 5 (Spring, 2006), p. 9.	[p]ABS_Leipzig			May 2006
	17.	Sources of German Polyphonic Vocal Music Between Schütz and Bach: A Report on Work in Progress. A paper read at the Capital Chapter meeting of the AMS on 12 April 1986 at Towson State University.	[p]AMS_Capital			Apr 1986
	18.	From Renaissance Fuga to Baroque Fugue: The Role of the 'Sweelinck Theory Manuscripts'. A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985.	[p]AMS_Vancouver			Nov 1985
	19.	Die Fuge in den Vokalwerken von Buxtehude und Bruhns. Paper read at Internationales Symposion und Konzerte 'Bach, Lübeck und die norddeutsche Musiktradition', Lübeck, 27-30 April 2000	[p]ISK_Luebeck			Apr 2000
	20.	From Renaissance 'Fuga' to Baroque Fugue: The Role of the 'Sweelinck Theory Manuscripts'.	SchützJb	7-8		1985-86	93-104
	21.	The origin of the permutation fugue. In: Studies in the history of music. Vol.3, The creative process. (New York, 1993)	StudHistM(NY)	3		1993	51-91